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Find My Royalties

Your music is being played. Your royalties aren’t always being paid.
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Find My Royalties helps artists and bands discover where their music is being used, where the data breaks, and where royalties can be delayed, misdirected, or left unclaimed.

We analyse your recordings, track how they appear across platforms and territories, and reveal mismatches in titles, credits, identifiers, and registrations the exact reasons royalties go missing.

If your music is out there, we help you see where the money stops.

Why royalties go missing (even when your music is getting played)

Royalties don’t disappear because your music isn’t popular.
They disappear because the data behind your music breaks.


This usually happens when:
track titles are inconsistent across platforms
artist names or contributors are split, duplicated, or misspelled
releases are uploaded more than once through different distributors
identifiers don’t match between systems
older releases were delivered before standards aligned


When that happens, usage can continue but payments stall, misroute, or sit unclaimed.

This is far more common than most artists realise.

What Find My Royalties actually does

​We don’t guess. We audit.

Find My Royalties analyses your recordings to show:
where your music appears
where the data doesn’t line up
where royalty signals look incomplete or broken
what needs attention next and why


If the data is clean, we show you.
If it isn’t, we show you exactly where it breaks.

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INXS's
“Listen Like Thieves” (1985) helped push them into global rotation proof that when a catalogue travels internationally, the accounting trail gets complex fast.

How It Works

1. Upload your track(s)
Start with one recording or a whole catalogue any released masters are fine.

2.TECHNICAL EXTRACTION
We extract what matters

We pull the key details that help identify your recording correctly, even if metadata is messy.

3. AUDIO FINGERPRINTING
We fingerprint the audio

We use the recording itself (not just the title) so matches aren’t confused by spelling or duplicated versions.

4. GLOBAL MATCHING
We search for matches globally

We check platforms and territories to see where your music is being used.

5. ROYALTY SIGNAL ANALYSIS
We analyse the royalty signal

We flag mismatches and disconnects where titles, credits, or identifiers don’t align and can stop payments.

6. RESULTS
You get clear results

A simple overview of what looks right, what doesn’t, and where potential issues sit with evidence.

7. VALIDATION & AUTHORISATION
Validation & next steps

Where proof or corrections are needed, we show you what to prepare and how to proceed without compromising your rights.

Upload Tracks  -> Technical Extraction  -> Audio Fingerprinting  -> Global Matching -> Royalty Signal Analysis  -> Results  -> Validation & Authorisation
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“When you ain’t got no money, you got the blues.”
Howlin' Wolf

1. UPLOAD TRACK/S

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Upload one track or a batch. We handle the heavy lifting in the background -> validation, secure processing, and identification.
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Goal: make it effortless for you to start, without turning it into a form-filling nightmare.
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2. TECHNICAL EXTRACTION

We extract the technical DNA from your file and package it into a structured profile the kind of information systems actually use to match recordings reliably.
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This includes format details, duration, waveform characteristics, and embedded identifiers where available.
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3. AUDIO FINGERPRINTING

We generate an audio fingerprint a unique acoustic signature so the match is based on the recording itself, not just whatever the title says it is.

This is how we trace recordings even when metadata is messy, incomplete, or inconsistent.
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4. GLOBAL MATCHING

We search for likely matches across territories and known distribution patterns to find where your recording appears in the wild.
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Output: a list of high-confidence candidates plus “possible” matches that require review.
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5. ROYALTY SIGNAL ANALISIS

This is where the audit becomes meaningful.

We compare what we found against what should exist and flag common breakpoints:
spelling conflicts, alternate titles, duplicate assets
mismatched contributors or split identities
missing / inconsistent identifiers
release and ownership conflicts

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6. ROYALTY FINDER RESULTS

You receive a clear results view showing:

where the recording appears
where links look broken or inconsistent
what evidence supports the match
what to correct (and why)
what actions to take next

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No fluff. No vague “maybe.” Just practical outcomes.
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7. VALIDATION AND AUTHORISATION

When a match requires proof of rights (and it often will), we guide you through the minimum required validation to proceed responsibly.

We don’t “take” your rights or claim ownership we help you prove and protect what’s already yours, and create the cleanest possible path to resolution through the right channels.

    Get Early Access & Discover What You’re Owed

    Be part of the early release and see how your music is represented behind the scenes.

    Sign up to receive:
    early access invitations
    progress updates
    launch notifications

    If your music is out there, it’s worth knowing where the data stands.​
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    ​TRUST / “WHY IT MATTERS”
    Music royalties are more complicated than most creators realise:

    Unmatched tracks can sit in “black box” pools for years. 

    Mechanical, performance, and neighboring rights involve multiple connected systems. 

    Many royalty collection organizations maintain unpaid lists for unidentified works. 
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    Find My Royalties doesn’t promise payments it shows where the data breaks, so you can act.
Submit
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“When the power of love overcomes the love of power, the world will know peace.”
Jimi Hendrix

PLATFORMS

Streaming & Social

We surface where recordings appear and how they’re represented titles, contributors, versions, territories, and identity conflicts so you can see what’s consistent and what isn’t.

Distribution

Distribution creates reach and also multiplies the number of systems a release passes through. We help you map that journey and spot where the chain breaks.

Rights & Royalties

We’re building outputs that align to real-world rights concepts: recording identity, contributors, publishing relationships, and conflict resolution pathways.
Logos and platform names are shown for identification only.
Find My Royalties is not affiliated with or endorsed by these services.
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Their debut album became the fastest-selling debut in UK chart history, moving ~360k+ copies in its first week.
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Two Decades in the Making

SoundFoundation reflects the way Lawrence Eastland works. Built in 2004, it grew out of hands-on involvement in the music industry not as a concept, but as a functioning independent platform shaped by real artists, real data, and real financial outcomes. Years spent inside the mechanics of distribution, royalties, and rights exposed where systems consistently fail creators and why surface-level fixes don’t last. That experience is paired with Lawrence’s design background through Eye Design, bringing structure, clarity, and long-term thinking to complex problems. Token Arts exists as the conceptual framework around that work, but SoundFoundation remains the proof practical, tested, and grounded in a deep respect for music as both culture and livelihood.
Eye Design 
Eye Design is the translation layer. It is where complex systems become understandable, usable, and trusted. It connects technology, human behaviour, aesthetics, and market reality turning ideas into structures people can actually adopt. Eye Design ensures that what is being built isn’t just technically possible, but culturally viable and commercially sound.

Sound Foundation
 

SoundFoundation is the origin point. Built in 2004, it came from doing the work, not theorising it distributing music, managing rights, paying artists, and seeing first-hand where the system breaks. It was never about hype or shortcuts, but about independence, fair remuneration, and giving creators control. This wasn’t an experiment it was lived experience, operating inside the real constraints of the music industry for over two decades.

Token Arts
Token Arts is the thinking that emerges after years of building, observing, and solving the same problems from multiple angles. It is not a product  it is a design framework. A way of architecting assets so they carry intelligence, identity, and rules within themselves. Songs, memberships, tickets, festivals, access, value all designed as living systems rather than static files. Blockchain is one possible tool, not the point. The point is designing assets that can verify themselves, describe themselves, and evolve creatively and commercially beyond the current mindset.
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GET IN TOUCH

Contact : Lawrence Eastland
Link Tree : 
eyedesign.com.au/link-tree
​e-mail : [email protected]
Phone : +61 421 181 018
Web Links :

eyedesign.com.au
soundfoundation.com
tokenarts.digital

© 2025 Lawrence Eastland.
Built independently and shared in the spirit of open innovation to support transparent attribution, fair payment, and a healthier music economy.
Collaboration welcomed. Attribution appreciated.

For those who wish to build with integrity the foundation is already here.
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