​FIND MY ROYALTIES

THERE IS A BILLION REASONS WHY YOU RE HERE.

Find My Royalties analyses your music’s audio and metadata against global platform records to pinpoint the exact configuration errors that prevent your royalties from reaching you, and shows you precisely how to fix them.
Drawing from the rich, pioneering history of Sound Foundation, the original independent digital download innovator in Australia, we are proud to introduce our next venture with Token Arts, a venture that builds upon our deep-rooted belief in empowering and remunerating creatives fairly and fostering a vibrant, unified community for independent artists.

For Johan/Dev

The flow below shows the home page user experience, all the processes will be automated, from the m moment the files are uploaded and request to proceed button selected. The Home page will show activity through each step as our systems do their thing. ​Scroll down the page for (Examples Only UI yet to be approved) 
INXS's “Listen Like Thieves”  (1985) was an independent major breakthrough, achieving 4x Platinum in Australia, Platinum in New Zealand, and 2x Platinum (2 million copies) in the U.S., with total worldwide sales around 3.5 million, charting #1 in Australia and #11 in the US

STEP 01
​UPLOAD TRACK/S

Uploading tune/s... Validating Data... 
Drawing from the rich, pioneering history of Sound Foundation, the original digital download innovator in Australia, we are proud to introduce our next venture with Token Arts, a venture that builds upon our deep-rooted belief in empowering and remunerating creatives fairly and fostering a vibrant, unified community for independent artists.
Fully automated:
User does: Uploads one or more audio files
  Automated instantly on upload: File validation (format, corruption), File hash generation, Temporary secure storage, Upload session ID created
Automation Hidden from user.

STEP 02
TECHNICAL EXTRACTION

29%

Analysing your music, Cross checking origins... Establishing Ownership... 
Drawing from the rich, pioneering history of Sound Foundation, the original digital download innovator in Australia, we are proud to introduce our next venture with Token Arts, a venture that builds upon our deep-rooted belief in empowering and remunerating creatives fairly and fostering a vibrant, unified community for independent artists.

Step process validation

Step 01 - Success / Tracks Validated


Fully automated:
File metadata read
Duration calculated
Codec / bitrate / sample rate extracted
Embedded tags parsed (ID3, Vorbis, etc.)
ISRC detected (if present)
Copyright strings extracted

System result:
Initial Track Profile created

User sees:
Processing animation
Copy like:
​“Analysing your recording…”
“When you ain’t got no money, you got the blues.”
Howlin' Wolf

STEP 03
AUDIO FINGER PRINTING

32%

Analising Recordings... Establishing Royalty Finger print... 

Step process validation

Step 01 - Success / Tracks Validated
Step 02 - Success / Ownership Established

Fully automated:
Audio normalisation
Harmonic fingerprint generation
Fingerprint vector stored
Harmonic ID generated
Duplicate detection (internal)
Variant grouping (if multiple files)

System result:
Canonical recording identity created or matched

​User sees:
​Still “processing”
No technical info
“When the power of love overcomes the love of power, the world will know peace.”
Jimi Hendrix

STEP 04
GLOBAL MATCHING

64%

Establishing Loyalty Protocol... Matching Discrepancies... 
“We’ve found possible matches for this recording.”

Step process validation

Step 01 - Success / Tracks Validated
Step 02 - Success / Ownership Established
Step 03 - Success / Audio Royalty Finger Print Established (note, this is important)

Fully automated:
Query public/global catalogues
Match recording by sound + metadata
Resolve:
Known titles
Artist aliases
Existing ISRCs
Known publishers/writers (public)
Confidence scoring applied
Conflicts flagged

System result:
Global Recording Match Map
​
User sees:
​“We’ve found possible matches for this recording.”
Arctic Monkeys Independently, broke history with their debut album,“Whatever People Say I Am, That's What I'm Not,” Released in 2006, becoming the fastest-selling debut album in UK history, selling over 363,000 copies in its first week.

STEP 05
ROYALTY SIGNAL ANALISIS

64%

Calculating Misspellings, Conflicts, 
“We’ve found possible matches for this recording.”

​Step process validation

Step 01 - Success / Tracks Validated
Step 02 - Success / Ownership Established
Step 03 - Success / Audio Royalty Finger Print Established (note, this is important)
Step 04 - Success / User sees Royalty Risk Score / Audit Summery Generated

Fully automated:

Compare uploaded metadata vs global matches
 
​Detect:
Missing ISRC
Conflicting titles/artists
Duplicate registrations
Likely misallocations
Calculate likelihood of:
Unclaimed royalties
Misreported royalties

System result:
Royalty Risk Score
Audit Summary generated

STEP 06
FIRST USER REVEAL OF MISSING ROYALTIES IF ANY

64%

Establishing Loyalty Protocol... Matching Discrepancies... 
“We’ve found possible matches for this recording.”

Step process validation

Step 01 - Success / Tracks Validated
Step 02 - Success / Ownership Established
Step 03 - Success / Audio Royalty Finger Print Established (note, this is important)
Step 04 - Success / User sees Royalty Risk Score / Audit Summery Generated
Step 05 - Success / User sees Royalty Risk Score / Audit Summery Generated

Fully automated:

User sees (collapsed view):
Track name (auto-detected)
Artist name (auto-detected)
“Potential royalty issues detected” (yes/no)
Confidence indicator

STEP 07
IDENTITY & AUTHORISATION

64%

Establishing Loyalty Protocol... Matching Discrepancies... 
“We’ve found possible matches for this recording.”

Step process validation

Step 01 - Success / Tracks Validated
Step 02 - Success / Ownership Established
Step 03 - Success / Audio Royalty Finger Print Established (note, this is important)
Step 04 - Success / User sees Royalty Risk Score / Audit Summery Generated
Step 05 - Success / User sees Royalty Risk Score / Audit Summery Generated

USER ENGAGEMENT

User is asked (progressive reveal):
Email address
Are you:
The copyright holder?
An authorised representative?
Accept analysis terms

Automated:
Account stub created
Report linked to email
​Session attached to user

Platforms

Streaming & Social

Distribution

Rights & Royalties

Logos and platform names are shown for identification only.
​Find My Royalties is not affiliated with or endorsed by these services.

Two Decades in the Making

SoundFoundation reflects the way Lawrence Eastland works. Built in 2004, it grew out of hands-on involvement in the music industry not as a concept, but as a functioning independent platform shaped by real artists, real data, and real financial outcomes. Years spent inside the mechanics of distribution, royalties, and rights exposed where systems consistently fail creators and why surface-level fixes don’t last. That experience is paired with Lawrence’s design background through Eye Design, bringing structure, clarity, and long-term thinking to complex problems. Token Arts exists as the conceptual framework around that work, but SoundFoundation remains the proof practical, tested, and grounded in a deep respect for music as both culture and livelihood.
Eye Design 
Eye Design is the translation layer. It is where complex systems become understandable, usable, and trusted. It connects technology, human behaviour, aesthetics, and market reality turning ideas into structures people can actually adopt. Eye Design ensures that what is being built isn’t just technically possible, but culturally viable and commercially sound.

Sound Foundation 
SoundFoundation is the origin point. Built in 2004, it came from doing the work, not theorising it distributing music, managing rights, paying artists, and seeing first-hand where the system breaks. It was never about hype or shortcuts, but about independence, fair remuneration, and giving creators control. This wasn’t an experiment it was lived experience, operating inside the real constraints of the music industry for over two decades.

Token Arts
Token Arts is the thinking that emerges after years of building, observing, and solving the same problems from multiple angles. It is not a product  it is a design framework. A way of architecting assets so they carry intelligence, identity, and rules within themselves. Songs, memberships, tickets, festivals, access, value all designed as living systems rather than static files. Blockchain is one possible tool, not the point. The point is designing assets that can verify themselves, describe themselves, and evolve creatively and commercially beyond the current mindset.

GET IN TOUCH

Contact : Lawrence Eastland
Link Tree : eyedesign.com.au/link-tree
​e-mail : [email protected]
Phone : +61 421 181 018
Web Links :
eyedesign.com.au
soundfoundation.com
tokenarts.digital
© 2025 Lawrence Eastland.
Built independently and shared in the spirit of open innovation to support transparent attribution, fair payment, and a healthier music economy.
Collaboration welcomed. Attribution appreciated.

For those who wish to build with integrity the foundation is already here.